Thank You For Being A Friend

‘For every human being who looks up at the Moon in the nights to come will know that there is some corner of another world that is forever mankind.’ – Unread public tribute to lost astronauts.

Gus Grissom, Ed White II and Roger Chaffee (NASA Photo)

On 27 January 1967, the US space program came crashing back to Earth. In a disastrous launch pad fire, during a test run for an Apollo 1 space mission, three astronauts were killed. The cause would later be attributed by astronaut Frank Borman, at least in part, to ‘failure of imagination‘ in that contingencies were not fully anticipated. It was improvements in subsequent spacecraft design and operations that undoubtedly contributed to the successful Apollo Moon landings two-and-a-half years later.

Further tragedies would happen for the US space program effectively during the anniversary week, on 28 January 1986 (with the loss of the Challenger space shuttle and its crew in flight) and on 1 February 2003 (with the loss of the Columbia space shuttle). These tragedies – borne from engineering, management, and political failures of imagination – led to some ‘hard-won lessons‘ that we could possibly learn from today in a variety of life lessons.

One person whom Astronaut Remembrance Week touched personally was Kate Doolan, a lifelong space enthusiast and a close friend – a woman of eclectic interests. After catching the space bug while viewing the Apollo Moon missions on TV as a child, she spent her life studying and writing about space, meeting many astronauts and becoming an expert on the topic.

Kate was a close friend for about thirty years, and in recent years she called me her ‘BFF’. Many people will have different memories of Kate, including those who will recall her as being loud, assertive, forthright in her opinions, and somewhat abrasive with her language. She liked to present herself as being what we both jokingly called, ‘big and butch’. Her exuberance meant that life with Kate as a friend was never dull. But as a close friend, I came to realise that some of this facade, her bluster, her boisterousness, was, at least in part, a self-defence mechanism. Kate may have, on occasions, roared like the dinosaurs she loved, but her heart resembled the koalas and kittens that she loved. Kate hid a sensitive and tender side: her idealism, her childlike sense of awe at the universe, and her almost childlike vulnerabilities. Kate was a complex character.

Geoff and Kate at Equal Love Rally, Melbourne, 28 November 2009 (Personal Photograph).

I met Kate in 1989 through the Space Association of Australia. Everyone who knew Kate knows that space was her deepest passion and interest. She held herself to the highest standards of professionalism when researching, writing or presenting space material. Kate got to meet astronauts, go to special movie screenings, attend space conferences and diplomatic functions, speak on the radio, and write articles for newspapers and magazines. Kate gave talks on space to anyone who would listen. This included a local ‘Star Trek’ club. Kate was like an evangelist for the space program. Whenever I was preparing a space project for my secondary school students, Kate always provided relevant research materials for the kids, and supplied sufficient quantities of space stickers or lithographs to ensure that every student received a small, inspirational memento. On more than one occasion, upon learning that one of my students had a special admiration for an astronaut, she secured a signed photograph for that student from that astronaut. Her knowledge of space trivia was breathtaking. She knew what was Neil Armstrong’s favourite music, or when was John Glenn’s birthday, or which astronauts had been honoured by having puppets named after them in the TV series, ‘Thunderbirds‘.

Kate is probably most famous for co-authoring the book ‘Fallen Astronauts‘, along with Colin Burgess and Bert Vis. She had hoped it would lead to further opportunities to write books, such as her frequently expressed desire to write a biography on astronaut Ed White – an ambition which sadly, never came to pass. On occasion, she expressed to me her frustration at not having qualifications in journalism, or a PhD in aerospace engineering, as she felt that such credentials may have helped to open doors for her writing. Once, she even complained that her one book was insufficient. I told her that in a thousand years’ time, after most of the 20th century was long forgotten, her book will serve as a primary source for historians studying the early space program. I truly believe she has left that as a legacy for the world.

Kate had other interests outside space that are not so well-known. She loved her cats, Costner and Benedict. Regarding her love of dinosaurs, I have fond memories of the many times we went to see ‘Jurassic Park’ at the movies, with the scary scenes always resulting in her repeatedly screaming, jumping out of her chair, swearing aloud and then apologising to everyone around her – and she loved it. She also loved to suggest that we go out and buy some Kentucky fried dinosaur. She loved Abba, cricket with beer, US politics and military history, the movie ‘Dances with Wolves’, actress Emma Thompson, the TV series, ‘South Park’, and giving her ‘Muttley’ laugh. She was word perfect on many of the bawdy jokes in the TV series, ‘The Golden Girls’. She dabbled in casual jobs, including working at a book shop in Prahran, where she shared her extensive military and space knowledge in conversations with her customers.

Kate prepares to attend the Rainbow Sash protest on 31 May 1998 (Personal Photograph).

In the 1990s, Kate joined the Melbourne chapter of PFLAG (Parents and Friends of Lesbians and Gays), and was a volunteer and committee member with the Australian Lesbian and Gay Archives. She also joined the Rainbow Sash, an LGBTI group that protested against specific forms of religious homophobia. Among her other LGBTI activism, she marched in Melbourne’s annual Pride March, and attended Marriage Equality rallies. Such involvements waned in recent years due to her declining health.

Kate joined me in attending the Global Atheist Convention in Melbourne in 2012, even while expressing misgivings about what she called her lingering Catholic guilt. Such inner conflict was typical of Kate. She could be happy, sad, funny, bawdy, outraged and reconciliatory – all on the same day – and yet she also knew when to be the consummate professional, especially when being a public space advocate. I am thankful for her complex friendship. Among the many things it taught me was how to be a more understanding person. I admired her because her life journey embodied the Latin motto, ‘per ardua ad astra’ – through hardship to the stars. Kate learnt from some of life’s hard-won lessons and triumphed in her own way. We could all learn from her very human example.

In the last few years, Kate largely withdrew from face-to-face social contact. Instead, she sought – and found – a supportive network of friends online. I was pleased to learn that when she went overseas, to attend Spacefest, and to visit military monuments and museums, she was offered friendship, support and hospitality by what she called her ‘extended family’ from the Space Hipsters, Space History, and Fallen Astronauts groups on Facebook, and from other kind, welcoming people whom she had met online via social networks. At the time, her real-life friends wondered why she had socially withdrawn into a world of virtual friends. More recently, after a year of pandemic and Zoom teleconferences, I now realise that she was ahead of the rest of us.

In the last few years of her life, Kate became quite enamoured with crocodiles. I never actually asked her why. I assumed that she may have seen some physical resemblance between crocodiles and dinosaurs. But upon reflection, I think her fondness for crocodiles held a deeper meaning. I wonder if she may have fancied herself as a female version of Crocodile Dundee – hence her twitter name, @crocodilekatie. Like Crocodile Dundee, Kate probably imagined herself to be a lovable Aussie larrikin who could out-drink and out-swear the best of them. Like Crocodile Dundee, she could wrestle what she saw as her life difficulties – her metaphoric crocodiles – and emerge victorious. And like Crocodile Dundee, she had a habit of, shall we say, being ‘somewhat creative with the truth’ in order to spin a good yarn. And she loved to be the centre of a good yarn.

Kate wrote in detail about the Apollo 1 astronauts, and in a touch of ironic cosmic timing of which she would have tacitly approved, she also tragically passed away during Astronaut Remembrance Week on 28 January 2019.

“I have loved the stars too fondly to be fearful of the night.”
Sarah Williams.

As my parting tribute here, I write something to Kate instead of about her. In doing so, I quote from her favourite TV series, ‘The Golden Girls’: Kate, thank you for being a friend.

© 2021 Geoff Allshorn

Looking Ahead With Optimism

As we bid goodbye to a year of COVID-19 and world upheaval,
let’s remember that the human adventure is just beginning.

“O brave new world, that has such people in ‘t!” – The Tempest

Diane Marchant with Star Trek actor Walter Koenig (‘Chekov’) at a convention in Melbourne, 29 Sept 1986. Photo courtesy of Irene Grynbaum.

A lot of populist art and literature is dystopian in nature, possibly none more so than the genre of science fiction and fantasy. As we look ahead, it seems a natural human inclination to anticipate the worst. But not always.

As a young SF fan, I was lucky: I discovered the utopian visions of the original Star Trek TV series.

Star Trek was born in the 1960s, during the era of the Vietnam War, the hippie counter-culture, and civil rights. The series aspired to reflect progressive ideas and to ‘boldly go’ where TV had seldom ventured. It portrayed noble people who were living in a utopian future that had arisen from the ashes of a conflict-ravaged 21st century. Such ambitious ideals are sorely needed today.

Star Trek introduced me to an extended family of fans who shared this optimism for the future, including two women who I was proud to call friends: Diane Marchant (above) and Theresa De Gabriele (left). Their lives as fans was one of service to others and living as an example of lofty aspirations. Tessie and Diane demonstrated everything noble and optimistic that I believe may lie ahead in humanity’s future, if we have the courage to make it so. They are both loved and missed.

Diane (1939 – 2006) was a long-time fan who personally knew Gene Roddenberry (the creator of Star Trek), and in many ways she became the mother figure of Star Trek fandom in Australia. She helped to found an international fan organisation called the Star Trek Welcommittee, and for many years was its overseas and/or Australian representative. In the days before the Internet, mobile phones or social media, she connected fans to support/friendship networks and local clubs, including my own fledgling effort at the time. Her informal Friday night home gatherings became a tradition for many fans. Diane dabbled in fan fiction (published in paper fanzines, not online), sometimes using the pen name of Kert Rats (or ‘Star Trek‘ backwards), and she helped to make fanfic history (see below). Today would have been her birthday. Happy birthday, my friend. May your ideals live long and prosper.

Tessie (1947 – 2020) was also a mother figure within local fandom; offering caring advice and support to any fan who needed it, and happy to befriend everybody. She was known for her hospitality to taxi others safely to and from fan activities in her combi van. She edited fanzines and newsletters, helped to organise and run conventions, and assisted in hosting tourism activities for international science fiction notables when they visited Melbourne. Tessie had strong opinions on various topics, but she always listened respectfully to the opinions of others – I miss her impassioned late-night phone calls to discuss how the latest TV science fiction program may have treated an issue of social justice. Tessie was a no-nonsense social justice warrior: always rolling up her sleeves to help others; initiating ‘Book Day’ wherein we could swap used books while also raising money for charity; I even know a fan whom she rescued from an abusive family situation.

Diane and Tessie were both raised in a particular religious faith, but they offered unconditional friendship and support to everyone, without fear or favour. They both remained single, but loved their families deeply, and broadened that perspective to include their extended fan families. They not only believed in the Star Trek philosophy of Infinite Diversity in Infinite Combinations (IDIC), but they actually lived it, celebrating diversity and difference. Tessie once wrote admiringly of, “IDIC in action” (see the Fanzine of the Captain’s Log, Austrek, 1990, p. 32) and her earliest cosplay character (to my recollection) was Gem, a Star Trek character who was so empathic that she took on the burdens of others. Diane wrote what has been identified as the first published ‘slash’ fan fiction story – one which endorsed same-sex relationships – while Tessie befriended some of the first openly-LGBT people that I ever met. Such was their loyalty to the principles of a TV series that had been created by a humanist and which reflected the spirit of the era, a time when other science fiction programs such as Thunderbirds and Doctor Who also promoted our common humanity, and our human capabilities for responsible activism to make a difference in the world around us.

For the 25th anniversary of Star Trek in 1991, Diane wrote about the inspirational influence of the original series, ideas which I have no doubt were shared by Tessie and many of our fannish friends:

“Here many of us beheld ourselves, our dreams, our ideals… Tenets we hold dear and by which we fashioned our lives… Life is valuable, there’s a lot more to everything than just mundanity… humane ideals will win through, mankind will survive… ever growing, ever striving for peace, harmony, equality, tolerance and revelation, and that even with success in all these areas, will still go on to greater and more magnificent challenges.” – Captain’s Log #170, Austrek, September 1991, p. 9

Such optimism was a reflection of the original Star Trek concept:

“‘Star Trek’ speaks to some basic human needs: that there is a tomorrow – it’s not all going to be over with a big flash and a bomb; that the human race is improving; that we have things to be proud of as humans.
” – Gene Roddenberry

To have shared Tessie’s and Diane’s joyous, pragmatic optimism – and to have been their friend – is both an honour and a privilege.

The world has changed over the last fifty years, and during that time, Star Trek has remained a topical context for a variety of morality tales that reflect each era, from civil rights and the Cold War to the fall of the Iron Curtain, the arrival of a post-911 world, and the 2020 world of trauma and darkness. I do not know how Tessie and Diane would have responded to the current shift away from utopian idealism within the Star Trek franchise, but I suspect they would have acknowledged its metaphor while remaining loyal to Star Trek‘s original philosophies such as ‘Let Me Help’ and IDIC. Theirs are the heights, the principles, and the nobility to which we must all aspire as we rebuild a post-COVID world.

Tessie and Diane could not have anticipated 2020 as a year of COVID, but they would have believed that something better had the potential to rise from its ashes. While many of us look ahead to what we hope will be a Happy New Year and Happy New Decade – and better times for our world – Diane and Tessie would simply smile and say that this is to expected… and that we should not only make it so but make it soon.

To boldly go.

© 2020 Geoff Allshorn

Television: Dreams or Destiny?

TWELVE TV SCIENCE FICTION EPISODES WORTH WATCHING
WARNING: MAY CONTAIN SPOILERS!

Apollo 11 lunar footprint (NASA photo)

Science fiction on television is a combination of fabulist, prophet and harbinger, all coming together to tell of the human condition in the face of unknown futures. What can we learn about who we are or who we may become? The following special episodes testify to their times and cultures, and are presented here in chronological order, according to their original transmission dates. Watch them and enjoy!

1. The Sky Is Falling (from ‘Lost In Space’ *original series*)
Teleplay by Barney Slater and Herman Groves, CBS, 1966.

Although it is remembered largely for its embarrassingly campy episodes, this series occasionally presented a great story. One example is The Sky Is Falling, which contrasts discrimination and fear versus friendship and interdependence, and evokes To Kill A Mockingbird through its use of children’s perspectives. From its opening words – in which Dr Smith bewails the sparsity of rescue from their barren planet, and then reacts with fear and intolerance when possible rescue actually does arrive – the episode explores the rise of xenophobia borne from difference, ignorance and poor inter-cultural communication; elements which, tragically, could be taken from today’s news headlines.

2. View of a Dead Planet (from ‘Moonbase 3’)
Written by Arden Winch, BBC, 1973.

Moonbase 3 was short-lived series that deserved a much longer run due to its ‘hard science’ depiction of lunar colonisation in the near future. This episode explores the frightening scenario of watching a suspected planetary extinction event on Earth, as viewed from a cosmic (lunar) perspective. The Moonbase staff must come to terms with their increasingly helpless horror, and try to balance both personal and national politics even while larger events appear to be unfolding in the sky above them. Viewers experience a compelling perspective of humanity’s fragility and cosmic insignificance in a Universe that has suddenly become breathtakingly claustrophobic and lonely. The story’s only weakness is its heavy reliance upon exposition from a stereotypically eccentric scientist.

3. The Legacy (from ‘Planet of the Apes’)
Written by Robert Hamner, CBS, 1974.

This series contains poignant allegory about the rise and fall of empires, and the horrifying fragility of civilisation. The Legacy asks viewers to ponder the value of scientific knowledge, and the profound impact upon our world should such knowledge be lost. Watching scenes of the physical destruction of computers – technology which has become ubiquitous in our modern daily lives – was difficult to watch even when first telecast in 1974. Other episodes explore the potential loss of medicine, science, and civilised society. All this while watching Roddy McDowall wearing an ape mask.

4. Voyager’s Return (from ‘Space: 1999’)
Screenplay by Johnny Byrne, ITC Entertainment, 1975.

The first season of this series is possibly most fondly remembered because of its interstellar vistas which portrayed the universe in stunning grandeur; however its scripts displayed erratic science and faltering character development, and an over-reliance upon a supernatural deux ex machina to untangle some stories from their own convolutions. Voyager’s Return rises above such problems, telling a tale in which scientist Ernst Queller and the staff of Moonbase Alpha are forced – individually and collectively – to face the ethics of their technology. This is a refreshing mix of humanity and hubris.

5. Man Out of Time (from ‘Logan’s Run’)
Written by Noah Ward, CBS, 1977.

Following on from the moral challenge posed within the Space:1999 episode mentioned immediately above, this episode from another series also explores humanist/scientific ethics. In this case, Logan, Jessica and Rem meet scientist David Eakins, who has time-travelled from the past and into their post-apocalyptic world. His heavy countenance represents the burden of a man who – having learnt of future events – intends to travel back to his own time and avert nuclear war, even though this may possibly cause his new friends to disappear from an altered timeline. With this ethical dilemma, Eakins becomes an ‘Everyman’ figure who must determine how to balance his considerations for those around him against the greater needs of humanity. Such ethical questions are vital at every level of science and society. If every episode of this short-lived series been this good, Logan’s Run would likely have been in production for many years.

6. Starscape (from ‘Starman’)
Written by James Henerson & James Hirsch, ABC, 1987.

A sequel to the original Starman film, this series – featuring the return of its title character to mentor his half-human teenaged son – was short-lived. Its downfall was the formulaic nature of its scripts: father and son as fugitives who face a weekly adventure and avoid capture before moving onto their next adventure. The penultimate two-part episode, Starscape, effectively ended the series on a poignant if ironic note of sorrow, loss and unfulfilled expectations. Starman follows the flawed human template: his compassion is revealed to be jointly his potential salvation and downfall. These characters are – like us all – aliens in a hostile world, seeking identity, belonging and meaning. Despite such melancholy, the episode Starscape hints at the optimism to be found by those who look up… at a starscape.

7. Three to Tango (from ‘Alien Nation’)
Written by Diane Frolov & Andrew Schneider, Fox, 1989.

The arrival of millions of Tenctonese (alien) refugees allows for the creation of a new minority group to serve as an allegorical underclass, in a series that often explored racism, sexism, anti-refugee bigotry, gender roles, and homophobia. In this episode, one Tenctonese friend of the main characters turns out to be a Binnaum, effectively a third gender required for Tenctonese reproduction. He is invited to assist the main characters in conceiving a child. Thus the episode explores polyamory, bisexuality, intersexuality, non-binary gender roles, and the subversion of heterosexism. (This was the episode which had my teenage students – I was a school teacher at the time – arrive at school the next day, excited and eager to talk about ‘how aliens have babies’). Naturally, the Fox Network had to cancel the series shortly thereafter.

8. Darmok (from ‘Star Trek: The Next Generation’)
Teleplay by Joe Menonsky, Story by Philip LaZebnik & Joe Menonsky, 1991.

A series which strove to shape its own unique self-identity as a sequel to the classic Star Trek series from the 1960s (which will likely receive its own separate blog article soon), this late 1980s-early 1990s incarnation struggled to balance futuristic aspirations with disappointingly reactionary conservatism. Within this cultural fruit salad, there were some stand-out episodes, and Darmok is one of the finer stories. Superficially reminiscent of Arena (an episode of the original Star Trek series, with similarities to the Frederic Brown story of the same name), Darmok instead explores cultural difference and perceptions of individual and collective self-identity. Metaphor and allegory abound, and the Epic of Gilgamesh was probably introduced to fifty million viewers, as was the life-changing mantra: Darmok and Jalad at Tanagra.

9. Running for Honour (from ‘Quantum Leap’)
Written by Bobby Duncan, NBC, 1992.

A cross between the earlier Time Tunnel (1960s) and the later Sliders (1990s), Quantum Leap features a scientist jumping from one time period to another within the bodies of individuals who are already living inside those particular time periods. The series tackled racial and gender issues, suicidal ideation, injustice, and changing social attitudes. Running for Honour delivers a story of a closeted gay man living in the homophobic 1960s. Possibly the most controversial episode of the series, it was also reportedly the episode to gain the highest viewer numbers. Somewhat quaint by today’s social mores, it was arguably a brave exploration of homophobia in both the 1960s (when it was set) and the 1990s (when it was created). Forget Star Trek, this episode really did boldly go where no American mainstream science fiction TV series had gone before.

10. The Original Wives’ Club (from ‘From the Earth to the Moon’)
Written by Karen Janszen and Tom Hanks and Erik Bork, HBO, 1998.

Viewers seeking uplifting TV should watch this real-life science-fictionalised biographical series and revel in its inspiration. What makes this particular episode significant is that it examines a rarely explored topic in media SF: the effect of science, technology and culture upon the lives of the women who have traditionally been denied public recognition. From enduring trite 1960s fashion shows and female gender stereotyping, through to facing the astonishing solitary devastation of widowhood, these women are shown to have courage and resilience equal to that of their Apollo-era astronaut husbands; however only the men get the glory. In the intervening decades, movies like Contact and Hidden Figures also provide strong ‘inspired by real life’ female role models.

11. Vincent and the Doctor (from ‘Doctor Who’)
Written by Richard Curtis, BBC, 2010.

Vincent and the Doctor is a worthy representation of TV SF at its best: science fictional technology (time travel) being used to explore a very human experience within a clever tapestry of real-life art. The Doctor and his companion confront a variation of the traditional time travel ‘grandfather’ paradox, and experience possibly the most emotional of any Doctor Who story in its fifty-plus year franchise. The use of the monster-of the-week format, to metaphorically explore the darkness of a lonely human soul, is a brilliant inversion of the series’ own sometimes-shallow monster formula. All the characters display frailties and a desire to learn from their experiences; the tragedy is that they each fail in their own way. The only desirable addition might have been for the Doctor to comment wistfully on more recently-evolved responses to mental illness; kudos nevertheless for daring to confront a challenging social problem.

12. Pride (from ‘Outland’)
Written by John Richards, ABC TV, 2012.

While more famous deep space franchises pointedly ignored the existence of LGBT people – or at best, reluctantly acknowledged their implicit existence through the use of problematic allegories – the six-episode TV series Outland was out and proud. It focussed on a club of LGBT science fiction fans and, in a strange case of art imitating life, it was produced in Melbourne, which was the one place in Australia that did (at that time) actually have an LGBT SF club (started by myself and friends in 1999). The final episode, Pride, resolves a number of story threads and delivers a satisfying climax at a fictional Pride March. “Beta, go!”

What do you think?
Have I left out any particularly significant episodes from other series? Please let me know! I am keen to possibly write a follow-up article to this one; a study that is not so predisposed towards US culture.

© 2020 Geoff Allshorn